When it Takes You 3 Years to Make Something Someone Else Hates

As a writer and filmmaker, I’ve learned that having thick skin isn’t about brushing off criticism — it’s about staying rooted enough to let it wash over you without losing your voice. Every story worth telling will challenge someone; every risk you take on the page or screen opens you up to misunderstanding as much as connection.

Why One Review Doesn’t Define a Story

My third short film – another step towards making my first feature length film – is a retelling of A Christmas Carol as a Diwali story. But this time, instead of Scrooge getting all the attention, it is his overworked employee, Bob Cratchit. Only in this version, he is an Indian American woman named Mala who is going to shake her toxic boss forever. Or will she?

The three ghosts are 3 female spirits, mentors from her past and future, come to help get her act together.

Overlooked and overworked, Mala has one last night to get things right. Hilarity ensues when 3 female spirits visit during the tokenist Diwali office party she is forced to throw. But do their warnings come too late? This is a twist on a Christmas classic for a new generation and culture. Charles Dicken’s timeless tale is retold and expanded with a female heroine for our times.

Turning Criticism Into Conversation

When a reviewer called my upcoming web mini series, A Diwali Dilemma “insufferably farcical,” it took me several beats to process. He held back no punches:

“The film is too schmaltzy and tacky to register an emotional punch or drive sobering depth. The writing is too lazy to pad up the emotional truths. The profundity of realisation the protagonist gradually veers to is trapped within a clutch of banal scenes littered by painfully glib dialogues.”

Lazy… well the 9 sets of revisions and year spent on the script would suggest otherwise. But this my backstory – one that viewers won’t see but I know because writing this mini series has been my life for quite some time.

Diwali Dilemma is waylaid by its insipid dimensions to strike anywhere, affecting. It feels like a bog of cringe-inducing stabs at earning pathos and sobering growth.”

The words might sting for a moment, but they also reminds me why I made this film. The absurdity they reviewer describes seeing in the workplaces scenes were deliberate choices on my part — a reflection of what it feels like to navigate the surreal contradictions of immigrant life, where casual racism and well-meaning ignorance can become their own kind of theater. Humor, satire, and exaggeration aren’t escapes from pain; they’re ways to survive it, and sometimes, to laugh back.

Join the Movement Behind the Film, Diwali Dilemma

The film was never meant to be comfortable. It was meant to be familiar — for anyone who’s ever been visible yet unseen, exhausted yet expected to shine.

So yes, maybe it’s farce. Or maybe it’s truth with a twist. Either way, Diwali Dilemma is honest and the result of years of hard work. And if storytelling teaches us anything, it’s that discomfort often signals you’re hitting something real.

A Diwali Dilemma is streaming online from October 20th. Watch it — and decide for yourself.

Scribehead: The Next Big Thing in Social Media

To take a break from writing, I’ve been exploring other ways of telling stories. Film has been a wonderful outlet for me to get away from the words on the page and into the visceral quality of an image. As the law of serendipity would have it, the more short films I make, the more film seems to circle around me.

This week I caught up with Clay Sharman, the brain behind Scribehead, a product he first “imagined” on a napkin while flying back from Hollywood. His interaction with the entertainment industry helped him to identify the giant gap in the entertainment market that Scribehead is built to address, fill and ultimately eliminate through a combination of social media and web technologies facilitated by an automated tool that doesn’t exist in the entertainment world today.

Let’s find out more about how Scribehead can help aspiring filmmakers.

Can you describe Scribehead?

Scribehead is an entertainment web-portal that matches aspiring talent to entertainment professionals by finding common ground in the content. It’s what we imagine would occur if Facebook and LinkedIn were introduced through eHarmony with the intent of actually accomplishing something.  Scribehead is the first platform-based web-community of its kind and is built to grow as the user community grows. And we aren’t stopping there either…our thirty-month “roadmap” after launch will take Scribehead to even greater heights, making it the most engaging and interactive user community on the planet!

Who is it for?

Scribehead is for anyone who ever dreamt of writing, or acting, or performing on stage but can’t get past “No” and has no idea how to move forward. It’s for the writer, or musician, or actor in Iowa or some other place in the middle with no way to go to New York or LA and pound on doors in person. And, it’s for the frustrated professionals who are tired of endless pitches, knowing that maybe 1 out of 100 is worth anything. Basically, Scribehead is for anyone with a dream of entertaining others for a living. Just imagine if we could shift the current model even 1% in favor of new talent discovery…that would completely change the entertainment paradigm and essentially double today’s entertainment numbers based on current success estimates of 1% across all areas of entertainment (movies/TV, music and literature).

What are benefits of this platform?

Members spend more time creating new concepts and less time “pitching” because of our automated features. Industry professionals are only pitched ideas that meet their specific search needs. Connections can be made instantaneously through the system. No more issues with postage or long waits to find out if there is interest.

What’s Next?

Go to our Indiegogo campaign and see how we are creating a tool focused exclusively on getting you discovered!

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Does Laughter Have an Accent?

A few weeks ago I shared the trailer for my first short documentary about comics in the Arabian country of Qatar. The comedians and the shows are the most multicultural places in the small country. Expats and locals, people from all ages and backgrounds come together several times a month to poke fun at the foibles that often drive us apart during the regular work week.

I’ve been a part of this group for nearly two years. Making the film helped me learn more about standup comedy and the ins/outs of how to tell a story in a new medium.

See what you think of Laughing with an Accent. Are these guys funny, no matter where you’re from?

I loved the break from writing so much I’ll definitely be making another short film soon. Stay tuned!

An enlargeable map of the State of Qatar
An enlargeable map of the State of Qatar (Photo credit: Wikipedia)

 

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