How I Wrote 20,000 Words in 15 Days

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Men in transit in Bangladesh by Wonderlane

If you’ve heard of NaNoWriMo, then you know that 20,000 words isn’t that impressive. In actuality, someone writing 1,666 words a day should have 25,000 words in 15 days. But, as my students are fond of saying, I have a million things to do, so 20,000 is a goal post I’m willing to celebrate.

This is the as yet unnamed novel-in-progress, my first crime thriller, set in the Arabian Gulf, featuring an ensemble cast. This snippet takes us into Manu point of view. He is a young man from Nepal, who arrives in-country, hoping to earn enough to help halt his ailing mother’s decline.

Tell me your likes/dislikes about the genre – so much to learn and write.

——-

“You! Where you go?” The man in the robe was back, making a straight line for Manu.

“Toilet,” Manu said. He didn’t stop walking, lest he embarrass himself in front of all the eyes, now watching.

The man in the robe grumbled but matched Manu’s pace. He entered the bathroom, amazed at how clean it was, compared to the latrines he used in Nepal.

When he re-emerged, the man in the robe was waiting for him. He looked up from his phone and indicated with the radio antennae he was to rejoin his group. Manu walked, as slowly as he could, taking in the glittery countertops on the other side of the visa line. There were perfumes, chocolates, and toys.

“Okay, now,” the FBJ representative was shooing them all like schoolboys towards a roped column in front of the visa desk. “One by one,” he said. “One by one.”

They stepped forward. Manu looked at the young man who was stamping their documents. He took each passport from the ledge above his desk, flicking through the pages, his eyes passing over the face in front of him in an instant, before the heavy stamp descended.

The FBJ rep scuttled them through the baggage area, where the men wandered through a heap of rice paper bags and taped boxes, trying to identify their own.

“Mafi?”

Manu turned not understanding.

“Your bag?” The rep asked, eyeing Manu with suspicion.

“I lost it,” he said.

The rep shook his head but handed Manu a piece of paper. “Sign,” he said.

Manu looked at it, wishing he had stayed in school longer, as Amita had insisted. He couldn’t make out much anyway, the contract was in Arabic. But there, above the signature, he could make out numbers, since they often used the same ones in Nepal for license plates.

“This says 1,000,” Manu said. “What’s this? The salary? They promised me 1500.”
The rep clicked his tongue, peering at Manu as if seeing him for the first time. “You don’t want this job? You can go back.”

The other men were signing their contracts, passing the one pen among them.

“I want to work,” Manu protested. “But for the amount they said.”

The rep began walking, the column of men following him as they left the brightly lit airport into the warm night. They walked the length of the parking lot, to a dark corner, where a bus waited for them, lumbering in the dark.

Manu climbed the steps, promising himself he would speak to the rep later.

“Sign,” the man said, putting an arm across Manu’s chest. The contact and the pen were pressed at him.

Manu signed. His legs quivered after so much time standing. He collapsed into a seat, his shirt sticking to him. Unlike the airplane or the airport, the bus had no air conditioning. Humidity rolled through the open window and up and down the aisle like a beast with moist breath. They creaked their way through the city, mostly at sleep, and largely in the dark. The bus followed roads that snaked away from the bright lights of the perimeter, until they entered a neighborhood with dusty streets, and grey bricks made of concrete. There was laundry hanging on drooping lines and smashed vehicles waiting outside of garages. Men were walking around in collared shirts, and lungis, the cotton loincloths of the Indian subcontinent.

When they shuddered to a stop outside a chain link fence, running around a group of squat, brown buildings, spotlights illuminating the guard station at the front gate, the pit of dread in Manu’s stomach grew.

 

 

An Arab Detective is Born During #NaNoWriMo2014

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Photo by Tamás Mészáros

I’m doing #NaNoWriMo, that crazy month of writing pell-mell, towards the goal of a 50,000 manuscript by December 1st. This is my fourth time taking the plunge to write 1666 words a day. I’ve only ‘won’ or finished on time once and that was for the award winning novel Saving Peace. The very first time I was distracted by Thanksgiving. Another year, when I was working on The Dohmestics, I was tied up in revisions for the paperback version of another project. Needless to say, whether or not I’ve finished, NaNo has been extremely productive.

The book is as yet untitled, so those suggestions are welcome as well. This is a new genre for me, crime thriller. Let’s begin with Ali, our detective who has a secret. And a very boring day job. Or so he thinks.

CHAPTER ONE WIP

On his way to the station, Ali’s mobile rang, filling the vehicle’s speakers with its metallic ring.  “Get down to the mall bridge,” Omar said, after a terse greeting. “There’s an accident.” Ali groaned. He made a sharp U turn at the next roundabout, cursing the position of his father’s house, a mere minutes from the busiest cross-city artery. He was their first call for this area and there was an accident on or near the bridge every weekend. When he arrived, traffic was already crawling up the bridge like burdened ants. “Send a tow truck,” he texted Omar. He drummed his fingers on the dash, inching forward, regretting not taking the marked vehicle they offered to everyone on the service. He despised the way others abused the blue, white, and grey SUVs, putting on their flashers to get past slow drivers, or turning on the siren to careen through crowded streets.  He drove his white Nissan like hundreds of others on the roads but the siren would come in handy in times like now.

After twenty minutes of bumper to bumper, he pulled over in front of where a white SUV had rammed into the back of pick up truck. The force of the impact from the much larger Land Cruiser flattened the truck bed like a piece of pita bread. Ali strode to the first vehicle; on the other side, squeezed between the passenger door and the bridge’s railing were two skinny cinnamon colored men. “Okay? You okay?”

They looked up, their eyes wide, stunned like camels that had fallen off their transport, taking in his full height, crisp blue and black uniform. “Fine?” The men looked at each other, then turned to him, doing the side to side head movement that always confused him. Did it mean yes? Or no? From the way they used it, apparently the head lilt could be both at once. Horns were starting to sound of the other drivers who wanted to get onto the bridge. Ali reassured himself he saw no blood or bones. He kept walking, to check on the other driver.

The other man was talking animatedly on the phone, his head visible behind the deflated airbag which had popped like a child’s party balloon. Ali rapped on the window, expecting a litany about how Indians didn’t know how to drive. Instead, the boy, for that’s how he revealed himself, hung out of the driver side window, his hands shaking.

“This is a new car,” he said in local dialect, the sun glinting on his braces. “My father is going to kill me.”

“Are you hurt?”

The boy shook his head. Ali could see the purple knot forming on his forehead, pushing to the surface. That was going to hurt. He nodded, indicating the boy should stay in the car. He didn’t bother asking for a license. There was no sign of facial hair on the boy’s angled cheekbones or curved lip.

“No one has been hurt,” Ali reported to Omar who grunted a blessing. “This is going to be a mess in ten minutes.” He hung up, trying in vain with the Indians to get the pick up to start. The engine protested, failing to turn over, the belts screeching like a cat being stretched between two poles. They were on the tail end of the bridge, slightly past the ascending slope on this slide, so that ruled out pushing the vehicle two hundred meters to the other end. Going backward made more sense, as they could find room to stash the vehicle under the overpass. But that would mean heading into oncoming traffic. His Nissan could tow the truck but the captain would frown on his getting personally involved. They watched traffic halt on either side for at least 2 kilometers; the drivers of oncoming traffic braking to see what happened. When the tow truck arrived, night blanketed the city, the call to prayer rising from the mosques in the area like fresh bread. He turned over management of the accident to the officer who arrived with the tow truck driver. “Don’t tell my dad,” the teenager pleaded. His cousins, around the same age, judging by their narrow shoulders, had shown up, taking photos of both vehicles with their shiny Smartphones.

That he had been sweating the two hours they waited for the tow truck soured Ali’s mood as well as his uniform on the way to the office. He sat at his desk, or at his station on the long slab of plastic counter, his hands at his temples. His eyes angled downward, towards his phone, like so many of the other policemen in the station. Well, when there were others. In the middle of the afternoon, as the desert heat rippled the air outside like a shimmering wave, he was the only one around during the shift change. Anyone entering the office would think he was watching a YouTube video or reading the Qu’ran and maybe take a seat, waiting for someone else to show up.

My Writing Process Blog Tour: The Mohadoha Stop

 

2013-12-12 Reflections on writing process
2013-12-12 Reflections on writing process (Photo credit: sachac)

Thanks to Kate Lord Browne for asking me to participate in this blog hop. KLB is the author of ‘The Beauty Chorus’ and ‘The Perfume Garden’, which was shortlisted for Romantic Novel of the Year. She also writes the Ahlan! magazine Book Club column, the first of its kind in the Middle East, and lives in the only true desert country in the world with her family. 

Courtesy of this blog hop, you’ll get a window into world of writing via me and three other writers as we answer the same 4 questions.

1) What am I working on?

My mind, or shall I say computer, is a bit of a muddle right now because I’ve got 2 books that need heavy revisions and not enough hours in the day. One is a novel that’s set in the Arabian Gulf and explores the relationships between maids and their employers called The Dohmestics. This is my second title due out in paperback this summer. The other is a novel set in Laos in 1975, about war in Southeast Asia and immigrating to America, The Opposite of Hate. This is my next eBook. Looming deadlines are good motivators to get going as is controversy; the sequel for my banned novel, as yet unnamed, is lingering at 15000 words. Needless to say, it will be a busy summer of writing.
2) How does my work differ from others of its genre?

My work is a blend of history, culture, and place. The books stand out because they explore places that many readers may not know about: Laos or Qatar – examining spaces within these countries that wouldn’t be accessible to outsiders.
3) Why do I write what I do?

I write to take the reader places s/he couldn’t go on their own.
4) How does my writing process work?

Dear oh dear it’s not streamlined. I am usually writing a draft of one project, revising another one, and marketing all the published ones (8 to date). Generally I’m working triage, on whatever title is getting a facelift or scheduled for next for publication or promotion.

I’m tagging Scott Bury and Rob Chazz Chute as the writers next in line for the blog hop. Head over to their sites to see how and why they tell their stories.

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